Photos of Fifth Piece

Manufacture of Fifth Piece

First I took plate and bent it up into a petal shape using a pitch bowl.

I then soldered the ends together and filed off the excess.

I then drew the pattern onto the petals with shellac and etched the design onto the metal using nitric acid.

After enamelling these petals I found that the enamel colours I wanted to use, red and purple, did not show up as well when they have a backing ,as the colours distorted, so I decided to change the pattern and decorate the petals with the “plique-a-jour” enamelling technique which requires no backing.

I therefore pierced out the pattern on the petals,

And I only enamelled some of the pierced sections so as to create interest with the use of negative space.

I then put the petals together as seen here.

To link the wire together I bent the ends to form loops.

Fifth Piece Inspired by Tibet

I wanted to use the lotus petal in my next piece and I wanted to incorporate enamel that was on a round object as opposed to on a flat shape.

I also wanted to make my piece a very long chain as I was inspired by the rosary worn by Buddhist Tibetans.

This was the method that I wanted to use to connect each section of my piece.

Photos of Fourth Finished Piece

Manufacture of Fourth Piece

First I pierced out the whole shape out of a flat plate. This meant that there would only be one solder joint which would make the piece very strong.

I then bent up the shape to form each link.

I then enamelled some of the pierced out shapes in blue and red.

After the final enamelling and cleaning I polished all the pieces.

I then made the links that do not have any enamel on them and finally I linked all the sections together to form a chain.

Fourth Piece Inspired by Tibet

I experimented with a piece that is larger on one side than the other but that is still made of thin pieces of silver and is thus very light and in keeping with my earlier pieces.

I also tried to incorporate the use of enamel to create colour on the piece.

I then decided that I would make all the sections into individual links so that there would be no unnecessary additional weight in the piece and in addition this would simplify the design.

These were a few of the link designs that I experimented with.

This was the design that I finally decided on and I then experimented with different styles of enamelling using different colours and techniques.

I liked this pattern as it made use of negative space but having such a large section in the “plique-a-jour” enamelling technique would have made it very weak.

The circles also had nothing to do with my Tibetan inspiration so I changed the pattern to include the lotus petal shape that I have been incorporating into my designs .

Inspiration from Tibetan Prayer Flags

Prayer Flags are put up by Buddhists in Tibet. They put these flags outside their homes and at spiritual places. It is believed that the wind will carry the prayers of the Tibetans across the countryside. Prayer flags are said to bring happiness, longevity and prosperity to the flag planter and those around him or her. The designs found on the flags often represent aspects of the enlightened mind for example compassion, perfect action, courage, etc. The flags are placed in sets of five with five colours in the order: blue, white, red, green, yellow (from left to right or from top to bottom.) The colours represent the elements: space or sky, air, fire, water and earth.
Source: http://www.prayerflags.com/

Source: http://tomallwood.com/locations/nepal/prayer_flags.php

I am very inspired by the idea of the prayer flags, by how the prayers of the people are carried on the wind in this awe-inspiring country. I want my five pieces to represent these flags and therefore each piece incorporates one of the five colours.